This has been remedied with the addition of Convrt, a separate application into which you can drop as many files as you like and make settings for how they are processed. One of the big omissions from the first version – especially for an application that had ‘pro’ in its name – was a batch processor. The editing toolbar can now be customised, so you can group your favourite tools together.
The selection of processing functions has been expanded too and you get an audio trim/crop tool and a volume plug-in as well as élastique timestretch and others. If you work extensively in audio repair, this will be a great time-saver. You can now send selections of sound between the two programs seamlessly and thus perform forensic edits without having to export/import stuff repeatedly.
First up is interoperability with SpectraLayers 2, Sony’s advanced spectral-editing software that’s also available as a bundle with Sound Forge. In With The New Let’s move on to what’s new in v2. Also still in evidence is the excellent plug-in chooser and Chain system, which makes sorting, locating and loading plug-ins a breeze. The way Sound Forge presents its tools is still really nice, with channel meters and an info area as well as a configurable media browser all at your fingertips. Multiple documents can be opened via a tab system and you can record directly in, too, in high quality.
It’s highly configurable, having resizable sections and the ability to show/hide various panes complete with presets and shortcuts to rearrange open waveform views.
#Sony sound forge pro pro#
Sound Forge Pro Mac 2 shares the very Mac-like interface that we liked in the first version and will run on any Intel Mac with OSX 10.7 or later. This being the case, it was perhaps not surprising that it lacked a couple of features one might have expected to see, but version 2 seeks to remedy that. Sony surprised us all by releasing Sound Forge Pro Mac last year, a completely new version for the Mac that was built from the ground up.
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